Shootlist - The shootlist is a document in which the camera assistant records each scene and take, relative to its keycode value on the film stock.
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Pro Tools Editor -Alternatively the Pro Tools Editor, which in this case is likely to be an assistant in the sound post-production team can be responsible for the ingesting of the raw audio rushes.
Video Editor - On smaller projects, it may well be the video editor, or more likely their assistant, will be responsible for the ingest of the rushes from the location. telecine is the tool that converts the film into video footage.ĭigital Image Technician (DIT) - Although the DIT is officially part of the camera teams, will of course also be handling media management, storage, and backup.
Telecine Operator (only when the project has been shot on film). Production Sound Mixer - The production sound mixer uses a field recorder to record multichannel audio during a shoot, and later delivers those source files to one or more parties: Most consumer digital video recorders do not have the ability to generate timecode. Minutes:Seconds - Timecode based on minutes and seconds. The generating clock of this timecode can be based on the time of day or can be set to ascend beginning from a certain starting time of day. SMPTE Timecode - Also known as LTC or linear timecode. Keycode - Each frame of film stock is embedded during manufacturing with a unique identifying timecode position known as keycode. Timecode - There are four types of timecode, depending on your production: A Glossary Of Terminology For Field Recorder Workflowīefore we go any further let’s acquaint ourselves with the terminology used. This involves designating a track as a field recorder guide track and then using Field Recorder Match Criteria to specify to Pro Tools what constitutes a match to the edited rough mix. Using embedded metadata and timecode from the BWAV files, the field recorder workflow in Pro Tools is able to rebuild the multi-channel recordings, expanding the various microphone channels to new tracks in Pro Tools and matching the edits made by the video editor. In our recent podcast on all things Dialog, we discussed that the Pro Tools Field Recorder Workflow, introduced in Pro Tools 7, is still very much a thing in modern audio post-production workflows.